Mudras and States of Awareness*
Swami
Suryapremananda Saraswati
The aim of this study is to analyze how and why a
process of expansion of awareness takes place through the practice of mudras
(specific gestures and attitudes). I have sought to identify and isolate the
different elements of each mudra, and show how they work together to result in
the expansion of awareness. As research models I adopted the dual-functional
classification of mudras, namely:
1. Mudras influencing the mind through direct stimulation
of the brain, via the nervous system;
2. Mudras influencing the mind through indirect
stimulation of the brain via manipulation of prana (pranamaya kosha).1
Therefore, one head mudra (shambhavi mudra) and one
hand mudra (pranam mudra) have been chosen as representative models.
Introduction to mudras
Mudra is a Sanskrit word derived from the root mud,
'please' or 'delight' and dravay, the causal form of dru, 'to draw forth'.2 It has been
so defined because its performance is said to give pleasure and satisfaction to
the object of reference (with form or formless), which in turn rebound on the
practitioner.
The term mudra has been used with different meanings
at different periods of time. In this study I will refer to it as meaning
gesture and attitude. Every mudra can be seen as a symbolic expression of
psycho-physiological, emotional, devotional and aesthetic attitudes which the
practitioner is aiming to ultimately experience.
Mudras are not mere creations of an inventive mind but
originally came spontaneously to adepts and still occur today to the
jivanmukta, liberated person.3 The fundamental tantric principle behind mudra
is that 'whatever is in the macrocosm, also exists in the microcosm.' Man is a
microcosm – whatever exists in the outer universe can also be experienced in
him. 4
Tantric and yogic literatures describe over one
hundred different forms of mudras.5According to their physical denotations, they can be
categorized into approximately five groups: (i) Hasta, hand; (ii) Mana, head;
(iii) Kaya, postural; (iv) Bandha, lock; (v) Adhara, perineal.6 Mudras are
also mentioned as being of three varieties: gross, subtle and the highest. The
mudras formed by bodily parts are considered gross, while mudras formed in
combination with mantras are subtle. The highest (causal) mudra occurs when the
symbolic meaning of the mudra is experienced or revealed to the practitioner;
that meaning is itself the essence of the mudra.
Mudra, like no other yogic practice, is recognized as
an external instrument with the capacity to prepare the mind for meditation.7 It sustains
the flow of thoughts in preparation for recognizing more subtle levels of
perception. It is at this stage that our mind must assume the quality of sakshi
bhava, becoming a silent witness to mental activities. Mudra is like a key
which opens aspects of our mind for us to view.
Mudras generate cues of the supreme reality, taking
the practitioner nearer to the final truth, representing the nearest 'figure'
of this truth as a mirror would represent reality. As the mirror reflects what
is in front but not behind, similarly different mudras just reflect different
aspects of the highest reality. They attempt to preserve the infinite within
the finite, as a bowl of water attempts to contain the reflection of the sun.
In this way the mudra can be seen as a science of connection between the
infinite and the finite.
Aspect of awareness
To understand what lifts a simple posture or gesture
into the realm of mudra requires some understanding of psycho-physiological
interactions. One way to understand this is to look at the brain. During the
process of human evolution there is a gradual linking up of the cortex with the
deep primitive, sensory structure of the brain. This process is called
telencephalization, which means bringing what is normally instinctive into
awareness, into conscious control.8 So, awareness has a seat – if any seat has to
exist – which may be associated with both the cerebral activity areas involving
midbrain and cortex.
There can be no expansion of awareness without firstly
starting to become aware. During mudra practice, we start to become aware of
the thoughts which emerge before, during and after the practice. We are
creating fixed, repetitive postures and gestures which can snap the
practitioner out of instinctive habit patterns and establish a more refined
awareness.9 A
generalized mass of energy is then specifically focused on the cortex, an organ
that can be described as the higher physical representation of the psyche.
STUDY 1 – SHAMBHAVI MUDRA
(Shambavi is the consort of
Shambhu, Lord Shiva, who represents the state of higher consciousness.)
In laya yoga
shambhavi mudra is defined as a pratyahara technique, i.e. it leads to sensory
withdrawal.10 Shambhavi
steadies the wandering mind, leading it to focus with accuracy. Wherever the
eyes go the mind follows, so when the gaze is fixed on a single point, the mind
also becomes single pointed and the thoughts aligned. Thus shambhavi mudra is
also a form of trataka and a means to achieve dharana, the meditative state of
relaxed concentration.11 Therefore, shambhavi mudra forms a bridge
between hatha yoga and raja yoga. It is both a technique and a state of attainment.
(A pointer about the gaze being a spontaneous representative of an inner state
comes from the Western and Eastern religious iconography. We will often notice
the eyes looking at the eyebrow centre, depicting the ecstatic state of
saints.)
Physiology of the eye
The eye, when examined using the criteria of being an
optical instrument, is found to be rather imperfect. The eye provides an image
on the retina but this is just the beginning of the extraordinary neural
process of decoding visual perception. The flow of neuronal stimulation is not
straight from retina to cortex – midway it passes through the midbrain
structures which support the telencephalization process. Furthermore, from the
endocrine system's point of view, it is observed that shambhavi mudra
influences the hormonal secretion of the pituitary, the master gland.
During shambhavi mudra the eyes are not kept in the
primary position, but are moved to a fixed gaze at the eyebrow centre and this
implies a peculiar coordination of the eyeball muscles. The motor nerves that
supply the muscles of the eyes follow a different and independent path to the
optic nerve, although they also travel through the midbrain to reach the
occipital cortex. Here, both of the two afferent and efferent types of nerves
are at work at the same time, generating a peculiar neuronal configuration.
It has been demonstrated that alpha waves arise
particularly from the occipital areas of the brain and their appearance is
especially associated with visual inattention. This alpha sensitivity is a
matter of special interest because it is related to the hypnagogic
psychological dimension where deep relaxation and archetypal imagery take
place.12Alpha sensitivity
thus plays an important role in the expansion of extra-sensorial awareness.
Neutral cerebral flow
Instrumental observations have been able to confirm
that increased activity during visual stimulation causes striking changes in
local cortical brain blood-flow and metabolism.13 Having such a premise,
we can reasonably expect an increased flow of prana in the activated cortical
areas.
The beauty of shambhavi mudra in particular is that no
actual sensorial stimulus is sent to the brain. Gazing at an internal point, no
carrier of symbology comes in-between. Having no sensorial significance to be
understood by the brain, the subtle pranic energy itself is first analyzed,
with its 'shapes' arranged by midbrain structures. After that, due to the
directed stimulation, a type of neutral signal is sent to the cortex. The naked
process of thought itself is immediately pinpointed, and this is the first step
towards thoughtlessness, the prerequisite of expanding psychic awareness. The
result can be the recognition by the practitioner of new dimensions of thought
– the awareness having been expanded.
STUDY 2 – PRANAM MUDRA
(The meaning of pranam here is
'offerings of salutation'.)
Pranam mudra (also
known as namaskara mudra) is performed by joining the two hands together, and
having the palms and the five fingers fully touching each other. Hands are
organs of action, and the motor nerves (which end in the motor cortex) control
their movement. At the same time, hands are sensory organs. On the palms and
fingertips, skin tactile sensibilities are provided by different nerves whose
impulses are transmitted to the sensory cortex and also to the adjacent
association areas where it is assumed the sensory stimulations have the final
elaboration of sensation.14
Fingers are also shown to have 'extra-sensorial'
ability, cutaneous optical and sound sensitivity. Experiments show that
subliminally the skin of the hands perceives light stimuli, comprehensive of
colour differentiation.15 In this case, as with shambhavi, both afferent
and efferent nerves are at work at the same time, generating a peculiar
neuronal configuration.
When the fingers touch another part of the body, a
circuit is produced which allows energy that would have been otherwise
dissipated to travel back into the body along the nadis. Hand mudras, where
fingers are joined, engage the motor cortex at very subtle levels. Once pingala
nadi is engaged then a signal goes back through ida nadi to the brain. By
holding these extremely sensitive areas in a certain fixed position, a loop of
energy moves from the motor cortex down to the hand and then back to the brain.
Thoughts and experiences are generated, and our detached observation of these
can give useful insights into discovering our more subtle dimensions.
Furthermore, the right hand is controlled by the left
hemisphere of the brain and the left hand by the right hemisphere. When we join
the hands we create a closed criss-cross circuit, a situation of equally
distributed brain stimulation which generates mental balance. This leads to a
greater possibility of relaxed concentration. The circuits stimulated are then
brought into the sphere of conscious awareness. Repetition over a period of
time makes this subtle action more conscious; we become increasingly aware of
the effect. Then the mudra gains power in its expression and brings knowledge
to the practitioner.
Psychological dimensions
A mudra can work successfully by itself, but when it
is associated with the proper mental and emotional attitude, the efficacy is
multiplied. From the cognitive psychological point of view, pranam mudra
involves a mental state of humility, regard for something other than oneself, a
submission and appreciation of differences in status. The practitioner
recognizes the existence of a superior entity. Here the term 'superior' is
employed in its philosophical sense – the practitioner recognizes something
existing sine principium, in fact timeless. This implies the abandonment of
one's identity, individuality and the egoistic attitude of possession. This
transaction can be established only between caring partners, and a feeling of
joy derives from the recognition of this common sharing. The feeling of love
has also to be present. It is important because it facilitates the sense of partaking
of the nature and qualities of the mental object.16
Further steps on the expansion of awareness are
related to the inner control of the mind by a total disintegration of the ego.
This state consists of facing and confronting the shadow self, the unconscious
forces, facing the perception of the polarity principles manifesting as one
creative/destructive continuum. At this stage, one either advances towards
total liberation or returns to material conditions.17
Conclusion
What we call life is within the body; what we call
eternity, too, is within this body. The body is not 'that', but 'that' is in
the body.
Thus, the body has been the field for profuse scrutiny
by researchers of different disciplines, who found it necessary to chart and
map it at different levels in order to start the voyage to the shore of the
ultimate reality. Yogis have divided and subdivided the body-prana-mind system
to such an extent that they can confidently direct a complete mastery over the
discipline of concentration through specific processes. Concentration is
essential for fine-tuning the awareness to become an organism with an in-built
receiving and transmitting set to communicate with the ultimate reality. Man's
awareness is capable of being attuned to the highest level only when the
prescribed discipline is undergone. Behind the science of the mudra, ages of
practices alone stand as a proof.
Our existence in this world is always plunged in a
dimension of life that is psycho-physiological in itself – we are body, mind
and psyche (soul) – one together. This understanding is reflected in the
practice of mudras, which are psycho-physiological attitudes.
Mere gesticulation or physical movement which is not
prompted by an inner attitude and does not have symbolic content could not be
called mudra. At the same time, no matter how much our awareness has expanded,
while we are embodied we still need to eat and answer all the other
physiological bodily calls. So even in spiritual practice we cannot live
without the body. In mudra the split between body and soul is absent; there
exists a mutual dependence and influence of one upon the other. Then the logic
behind the description of mudra as a psycho-physiological attitude is clear
when we look at the transitory stage of our evolution. We were 'inert' matter,
then we became animal with a predominantly sensorial awareness. Now we are
human beings possessing a psychic awareness intermingled with the sensorial,
and we are gradually moving towards cosmic awareness. From human to divine.
References
1 Swami Niranjanananda Saraswati, unpublished satsang,
5 April 1999, BSY Audio Cassette Library.
2 Kularnava Tantra in: Swami Satyananda Saraswati.
Asana Pranayama Mudra Bandha, Bihar Yoga Bharati, Munger, 1996.
3 B. Baumer, 'Mudra. Its Metaphysical Basis in Kashmir
Shaivism', in B.N. Saraswati, S.C. Malik, Art. The Integral Vision, D.K.
Printworld, New Delhi, 1994.
Lee Sannella, Kundalini – psychosis or transcendence?
Lee Sannella, San Franisco, 1976.
4 J. Woodroffe, Shakti and Shakta, Ganesh, Madras, 1959.
5 P. Kupfer, Mudra, Uni-Yoga, Sao Paolo, Brazil, 1995.
Swami Gitananda, Mudras, Ananda Ashram, Pondicherry,
India, 1972.
G. Feuerstein, Tantra, Shambala, Boston & London,
1998.
U. Dev, The Concept of Shakti in the Puranas, Nag,
Delhi, 1987.
H. Chakraborti, Sakta Tantrik Cult in India,
Punthi-Pustak, Calcutta. 1996.
G. Buhnemann, Puja, Institute for Indology, University
of Vienna, Vienna, 1988. S.C. Banerji, Tantra in Bengal, Manohar, New Delhi,
1992.
6 Swami Satyananda Saraswati, A Systematic Course in the
Ancient Tantric Teachings of Yoga and Kriya. Bihar School of Yoga, Munger,
1981.
7 Swami Digambar, in Philosophico Literary Research
Dept., Yoga Kosha, Kaivalyadhama S.M.Y.M. Samiti, Lonvala, India, 1978.
8 Swami Niranjanananda Saraswati, Yoga Darshan, Sri
Panchdashnam Paramahamsa Alakh Bara, Deoghar, 1993.
9 Swami Niranjanananda Saraswati, Prana Pranayama
Prana Vidya, Bihar School of Yoga, Munger, 1994.
10 G. Feuerstein, Encyclopedic Dictionary of Yoga, Unwin,
London, 1990.
11 Swami Niranjanananda Saraswati, Dharana Darshan,
1st edition, Sri Panchdashnam Paramahamsa Alakh Bara, Deoghar, 1993.
12 Swami Satyananda Saraswati, Yoga Nidra, 6th
edition, Bihar School of Yoga, Munger, 1998.
13 M.E. Raichle, 'Images of the Brain in Action', The
Mind, Oxford University Press, Oxford, 1987.
14 Guyton & Hall, Textbook of Medical Physiology,
Prisma, Bangalore, 1996.
15 G. Lozanov, Suggestology and Outline of
Suggestopedy, Gordon & Breach, New York, 1978.
16 S.K. Ramachandra Rao, Bharatiya-Pranama-Paddhati,
Kalpatharu Research Academy, Bangalore, 1997.
17 A. Mookerjee, M. Khanna, The Tantric Way, Thames
& Hudson, London, 1977.
*From dissertation on 'Mudras and States of Awareness'
submitted by Luigi Fumagalli (Swami Suryapremananda Saraswati) for MA in Yoga
Psychology, Bihar Yoga Bharati, Munger, 1999.